In Straw Shoes, Mathias B. Freese tells the story of Ah Ling, a 19th-century Chinese farmer who gambles with Fate and leaves his fields for the brutal promise of Gold Rush–era San Francisco. He trades yielding soil for unyielding granite—farming rock instead of rice, survival instead of certainty.

In the Throes explores the awakening of intelligence and the coming into awareness of an evolutionary mishap on a forbidding apocalyptic planet. The story follows eponymic Gruff, the first linguistic/metaphysical awakener of his species, as he navigates identity, mentation, and ontology in relation to the Gruff's natural prey: humankind. Combining the writings of Freud and the spiritual truths of Krishnamurti, author Mathias B. Freese depicts the Gruff as an evolutionary dark

Having once been a psychotherapist who's never hesitated to turn the therapeutical gun barrel toward himself, Mathias B. Freese ramps up his radical reflexivity in this latest work, from confessional first-person narration to third-person "stories" starring "characters" named Matt. (This genre could be called meta-Matt.) "I write to know perhaps something about who I am," Freese writes. "I write to arrive at some awareness, however dim, about self or other, for when I have th

Near the end of Nabokov's Lolita, Humbert makes an honest admission: "[A]nd it struck me…that I simply did not know a thing about my darling's mind." That line sums up the isolate game of memorializing a deceased loved one, which is the basic tension in Nina's Memento Mori, an elegy to Mathias Freese's lost wife. The profound responsibility of answering the question "Who was Nina?" is left to the lone memoirist: I can say or write anything I want about her…There is much write

"Tesserae: A Memoir of Two Summers stands above much of the crowd in its commitment to ask, 'What is it to remember?' Mathias B. Freese, tenderly plaiting a web that spreads from Woodstock, Las Vegas, Long Island, and North Carolina, locates friends and family, lovers long since gone, desire and passion sometimes quenched sometimes unrequited, and the harrowing agony that comes from that most soul-crushing word of all, regret. But Tesserae is not a work of sadness and grief.

In I Truly Lament , Mathias Freese has gathered together twenty-seven stories, all of them (in essence) meditations on the holocaust. Freese's collection is about obsessions, mainly Jewish obsessions: the death camps, the unimaginable cruelties, bottomless terror, senseless torture, humans rendered into ashes and smoke, miraculous survivors who are little more than walking dead men and women for the rest of their lives. As Freese says in a brief prelude to one of the stories,

In this impressive and varied collection of creative essays, Mathias B. Freese jousts with American culture. A mixture of the author's reminiscences, insights, observations, and criticism, the book examines the use and misuse of psychotherapy, childhood trauma, complicated family relationships, his frustration as a teacher, and the enduring value of tenaciously writing through it all. Freese scathingly describes the conditioning society imposes upon artists and awakened souls

Down to a Sunless Sea plunges the reader into uncomfortable situations and into the minds of troubled characters. Each selection is a different reading experience-poetic, journalistic, nostalgic, wryly humorous, and even macabre. An award-winning essayist and historical novelist, Mathias B. Freese brings the weight of his twenty-five years as a clinical social worker and psychotherapist into play as he demonstrates a vivid understanding of-and compassion toward-the deviant an